Just don't be expecting much realism from the science aspect - this is a story about time travel, after all. There is also a short instance of melodrama (Kurisu running and falling as she chases after Okabe) and the changes made to the sci-fi canon would have benefited from a stronger explanation, but neither of these are bothersome enough to dampen the overall experience. Perhaps it simply needed an extra ten or twenty minutes of screen-time, as the rest of the film never felt like it was being rushed. Compared to the last two episodes of the main series, it all feels a bit disappointing. and then it all ends within about five minutes of talking on a bench. The entire story builds up towards something grand. My main gripe is that there is a lot of build-up and yet very little climax. Pepper advertising.įor as great as Kurisu's and Okabe's characterisation is, there are still some minor faults in the story. The references are also kept to a minimum this time around, although there is still plenty of the ol' Dr. The side characters have never been the series' strong suit, particularly with regards to Mayuri, so scatterbrained that you would assume she has brain damage. The rest of the cast is largely ignored, but it is mostly for the better. I may just nominate that for the cutest moment of the year. What if it actually ends that way? Nothing is for certain.Īlso of note is a short scene near the beginning with a drunk Kurisu teasing Okabe and rubbing against his face. Without an episode number to constantly remind us that there's more story to come, there is a perpetual feeling of anxiety not knowing what might happen. One of the most powerful moments in the entire series (not something to be said lightly) occurs as Okabe painfully convinces Kurisu to forget him, content with disappearing in return for her safety. We see the romance explored in much greater detail than the TV series, which more or less ended it at a single kiss scene. What makes Okabe stand out, however, are the moments between him and Kurisu. It's only after that point that Okabe actually begins to disappear, and the minutes after still occasionally see him appear. There is plenty of the usual banter and Hououin Kyouma shenanigans within the first thirty minutes of the story. although, to be fair, she is pretty much the modern day Einstein.įans of Okabe will not be disappointed either. Kurisu is simply a human being with her own flawed personality. The term "tsundere" does not even feel appropriate. She acts flustered and embarrassed not for cheap pandering, but because she's not used to having close relationships - she's dedicated her entire life to science. Even when it comes to the light-hearted 'moe' scenes (and there's quite a few in the beginning), Kurisu's personality remains consistent and believable. Kurisu's emotional state takes the centre stage this time, her being subjected to many of the same horrors that Okabe previously experienced. While the TV series primarily focused on her intellect and relationship with Okabe, the film instead decides to show a more human side to her character. Kurisu's role as the protagonist is the film's greatest strength. Miraculously, Kurisu manages to remember Okabe's existence through a steady case of deja vu - determined now to do everything she can to stop him from disappearing forever. Perhaps it's just a fit of emotional trauma, he thinks, but his worst fears are realised when he suddenly disappears from existence, trapped between multiple World Lines. His experiences with time travel have made him an unstable entity. There is no SERN, no time machines, no unavoidable deaths- but still something is amiss. Taking place exactly one year after the events of the main series, Fuka Ryouiki no Déjà vu depicts a seemingly blissful world. This is a continuation every bit as compelling as it is justified. The end result has proven to be anything but a disaster. help but wonder, why on Earth did they choose to make a direct sequel of all things? It's almost as if they were asking, begging for a disaster. There were so many options available that you can't It could have been a forgettable prequel or even a retelling of the TV series' story. It could have been an ordinary piece of fanservice, a throwaway story, and some would have been perfectly content with that. It does not need to exist, and yet it still has every right to. Like the concept of travelling backwards in time, Steins Gate: Fuka Ryouiki no Déjà vu is a paradox. How does one continue a story that has already wrapped up perfectly? The announcement of a Steins Gate sequel film was inevitably met by both caution and anticipation.
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